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59,4x42cm (х2)
Paper, mixed media
The movie "Bruce Lee: Dragon Warrior" left a lasting impression on me. From a young age, Bruce immersed himself in the world of kung fu martial arts and dedicated himself to improving his skills. However, Bruce didn't settle for just being good at one style of fighting. Instead, he challenged himself to explore new approaches and incorporate different techniques from best fighters.
Through his experimentation and perseverance, Bruce created his own unique fighting style, which he named "dragon style". So, we witnessed birth of the dragon warrior, whose legacy continues to inspire generations of martial artists around the world.
Paper, mixed media
The movie "Bruce Lee: Dragon Warrior" left a lasting impression on me. From a young age, Bruce immersed himself in the world of kung fu martial arts and dedicated himself to improving his skills. However, Bruce didn't settle for just being good at one style of fighting. Instead, he challenged himself to explore new approaches and incorporate different techniques from best fighters.
Through his experimentation and perseverance, Bruce created his own unique fighting style, which he named "dragon style". So, we witnessed birth of the dragon warrior, whose legacy continues to inspire generations of martial artists around the world.
59,4x42cm (х2)
Paper, mixed media
In the presented picture, I was inspired by the phenomenon of “Baikal Zen”. During the day stones are heated by the sun and melt the ice under them, and the windiness on the lake creates a thin leg under the stone, revealing a real work of art.
The delicate interplay of the elements in this natural phenomenon is truly breathtaking. The contrast between the roughness of the stone and the intricate patterns formed by the melting ice creates a stunning visual display.
Paper, mixed media
In the presented picture, I was inspired by the phenomenon of “Baikal Zen”. During the day stones are heated by the sun and melt the ice under them, and the windiness on the lake creates a thin leg under the stone, revealing a real work of art.
The delicate interplay of the elements in this natural phenomenon is truly breathtaking. The contrast between the roughness of the stone and the intricate patterns formed by the melting ice creates a stunning visual display.
59,4x42cm (х2)
Paper, mixed media
This is a self-portrait of an artist. While the artist's face may appear pale, fragmented and unremarkable on the surface, the true beauty lies within. His inner world is full of vibrant, life-bringing colors, ranging from deep browns that transform into a spectrum of yellows and greens.
The artist exudes a sense of wholeness, confidence, and completeness. He is poised and ready for his next masterpiece, embracing inspiration from within. He invites us to look beyond appearances and to appreciate the rich inner worlds of those around us. He reminds us that creativity is not just about talent or technique, but also about the depth of our experiences and the richness of our inner lives.
Paper, mixed media
This is a self-portrait of an artist. While the artist's face may appear pale, fragmented and unremarkable on the surface, the true beauty lies within. His inner world is full of vibrant, life-bringing colors, ranging from deep browns that transform into a spectrum of yellows and greens.
The artist exudes a sense of wholeness, confidence, and completeness. He is poised and ready for his next masterpiece, embracing inspiration from within. He invites us to look beyond appearances and to appreciate the rich inner worlds of those around us. He reminds us that creativity is not just about talent or technique, but also about the depth of our experiences and the richness of our inner lives.
59,4x42cm (х2)
Paper, mixed media
In my latest work, I endeavored to delve into the concept of Yin and Yang through the lens of an ancient dance of male – female duality. Can a man (in my representation a samurai warrior, devoted to the principles of bushido), truly thrive without the presence of the most significant women in his life: his mother, wife, and daughter?
The harmony of the universe hinges upon the balanced interplay between opposing forces. Among these polarities, the duality of male and female stands as perhaps the most fundamental. I believe that power lies in the unity of these opposites, in the harmonious coexistence where each complements the other and facilitates the development of a superior, happier version of oneself.
Paper, mixed media
In my latest work, I endeavored to delve into the concept of Yin and Yang through the lens of an ancient dance of male – female duality. Can a man (in my representation a samurai warrior, devoted to the principles of bushido), truly thrive without the presence of the most significant women in his life: his mother, wife, and daughter?
The harmony of the universe hinges upon the balanced interplay between opposing forces. Among these polarities, the duality of male and female stands as perhaps the most fundamental. I believe that power lies in the unity of these opposites, in the harmonious coexistence where each complements the other and facilitates the development of a superior, happier version of oneself.
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42x29,7 cm
Paper, mixed media
In March of this year, I embarked on a soul-enriching journey to Kerala, India. It was during a panchakarma retreat that fate brought me face to face with a wonderful person, Edyta.
Amidst the vast expanse of our world, our paths intersected in the most fortuitous manner, leading us to the perfect meeting point. I was captivated by the sheer brilliance of Edyta's presence. Her vibrant energy enveloped me, infusing my being with a renewed sense of vitality and positivity.
With this painting, my intention is to portray Edyta, who emanates a sense of inner fortitude, gracefully exuding her feminine strength. Her presence radiates with an aura of serenity, hinting at the countless journeys she has embarked upon, and the profound impact she has had on those fortunate enough to cross her path.
Paper, mixed media
In March of this year, I embarked on a soul-enriching journey to Kerala, India. It was during a panchakarma retreat that fate brought me face to face with a wonderful person, Edyta.
Amidst the vast expanse of our world, our paths intersected in the most fortuitous manner, leading us to the perfect meeting point. I was captivated by the sheer brilliance of Edyta's presence. Her vibrant energy enveloped me, infusing my being with a renewed sense of vitality and positivity.
With this painting, my intention is to portray Edyta, who emanates a sense of inner fortitude, gracefully exuding her feminine strength. Her presence radiates with an aura of serenity, hinting at the countless journeys she has embarked upon, and the profound impact she has had on those fortunate enough to cross her path.
21x29,7 cm (x3)
Paper, mixed media
Through this mini-series, written in a single breath, I attempt to encapsulate my interpretaion of essence of the Spirit of Kazakhstan. It is multidimensional tapestry that weaves together the natural wonders, philosophical heritage, and resilient spirit of Kazakhstan.
At the heart of this series lies the majestic "Barys" - the snow leopard, gracefully roaming the hills of the Tengri mountains.
Delving deeper, we encounter the profound influence of Abu Nasir al-Farabi, a distinguished Eastern philosopher born in 870 in Farab city, now known as Otrar in Eastern Kazakhstan. Although he lived long time ago, his legacy lives on, intertwining with the roots of the trees and carried by the mythical bird, Samruk. Al-Farabi's teachings serve as a symbolic bridge, connecting Eastern and Western cultures, harmonizing their philosophies and enriching our collective understanding.
Lastly, we delve into the worries and triumphs of Kazakh women, focusing on the remarkable figure of Tomyris, the queen of the Massagetae. Hailing from an Iranian people within the Scythian pastoral-nomadic confederation of Central Asia, her story epitomizes the strength, intelligence, and indomitable spirit of Kazakh women throughout history.
Paper, mixed media
Through this mini-series, written in a single breath, I attempt to encapsulate my interpretaion of essence of the Spirit of Kazakhstan. It is multidimensional tapestry that weaves together the natural wonders, philosophical heritage, and resilient spirit of Kazakhstan.
At the heart of this series lies the majestic "Barys" - the snow leopard, gracefully roaming the hills of the Tengri mountains.
Delving deeper, we encounter the profound influence of Abu Nasir al-Farabi, a distinguished Eastern philosopher born in 870 in Farab city, now known as Otrar in Eastern Kazakhstan. Although he lived long time ago, his legacy lives on, intertwining with the roots of the trees and carried by the mythical bird, Samruk. Al-Farabi's teachings serve as a symbolic bridge, connecting Eastern and Western cultures, harmonizing their philosophies and enriching our collective understanding.
Lastly, we delve into the worries and triumphs of Kazakh women, focusing on the remarkable figure of Tomyris, the queen of the Massagetae. Hailing from an Iranian people within the Scythian pastoral-nomadic confederation of Central Asia, her story epitomizes the strength, intelligence, and indomitable spirit of Kazakh women throughout history.
42x29,7 cm
Paper, mixed media
For me this painting visually communicates the significance of progressing through the levels of Maslow's hierarchy, highlighting the sequential nature of human needs and the transformative journey towards self-fulfillment and transcendence.
Paper, mixed media
For me this painting visually communicates the significance of progressing through the levels of Maslow's hierarchy, highlighting the sequential nature of human needs and the transformative journey towards self-fulfillment and transcendence.
21x29,7 cm (x3)
Paper, mixed media
Paper, mixed media
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42x29,7 cm (x2)
Paper, mixed media
Paper, mixed media
42x29,7 cm (x2)
Paper, mixed media
Embarking on my latest trip to Turkestan, accompanied by the book I had eagerly delved into «Tengri Commandments” by Serikpayev K., I found the inspiration to complete a long-awaited artwork.
This painting serves as a portal that transports you into the vibrant world of Turkestan, where sacred holy sites, mesmerizing mausoleums, and mystical caves await your exploration.
Amidst the strokes of my brush, you will discover hidden sun symbols, remnants of ancient Tengri elements, waiting to be unveiled at every step of your journey.
Paper, mixed media
Embarking on my latest trip to Turkestan, accompanied by the book I had eagerly delved into «Tengri Commandments” by Serikpayev K., I found the inspiration to complete a long-awaited artwork.
This painting serves as a portal that transports you into the vibrant world of Turkestan, where sacred holy sites, mesmerizing mausoleums, and mystical caves await your exploration.
Amidst the strokes of my brush, you will discover hidden sun symbols, remnants of ancient Tengri elements, waiting to be unveiled at every step of your journey.
42x29,7 cm
Paper, mixed media
After reading 100 or so pages of Eka Kurniawan’s novel “Beauty Is a Wound”, I felt compelled to portray my first impression of its central character, Dewi Ayu.
"With one fateful afternoon in May, Dewi Ayu emerged from her grave, having been deceased for 21 years." This captivating sentence by Kurniawan sets the stage for an epic novel.
Dewi Ayu, an exquisitely beautiful woman, finds herself caught up in circumstances that force her into the role of a highly sought-after prostitute in the fictional seaside city of Halimunda. Set against the backdrop of a tumultuous era, spanning from the pre-World War II period to the transition of power from the Dutch to the Japanese and eventually to the Indonesians themselves during a time of revolution.
Despite her striking appearance, Dewi Ayu soon realizes that her beauty, as well as the beauty of her daughters, serves as both a blessing and a curse. It opens the door to the heinous acts of rape and exploitation committed by men. The concept of beauty becomes a metaphorical wound, leading Dewi Ayu to wish for her fourth daughter to possess a visage as dark and repulsive as the night itself. Nevertheless, she names the child "Beauty."
Presently, my impression of Dewi Ayu revolves around her astute, fearless, and resourceful nature. She exudes a captivating force, but I am not sure whether her beauty goes beyond physical appearance…
Paper, mixed media
After reading 100 or so pages of Eka Kurniawan’s novel “Beauty Is a Wound”, I felt compelled to portray my first impression of its central character, Dewi Ayu.
"With one fateful afternoon in May, Dewi Ayu emerged from her grave, having been deceased for 21 years." This captivating sentence by Kurniawan sets the stage for an epic novel.
Dewi Ayu, an exquisitely beautiful woman, finds herself caught up in circumstances that force her into the role of a highly sought-after prostitute in the fictional seaside city of Halimunda. Set against the backdrop of a tumultuous era, spanning from the pre-World War II period to the transition of power from the Dutch to the Japanese and eventually to the Indonesians themselves during a time of revolution.
Despite her striking appearance, Dewi Ayu soon realizes that her beauty, as well as the beauty of her daughters, serves as both a blessing and a curse. It opens the door to the heinous acts of rape and exploitation committed by men. The concept of beauty becomes a metaphorical wound, leading Dewi Ayu to wish for her fourth daughter to possess a visage as dark and repulsive as the night itself. Nevertheless, she names the child "Beauty."
Presently, my impression of Dewi Ayu revolves around her astute, fearless, and resourceful nature. She exudes a captivating force, but I am not sure whether her beauty goes beyond physical appearance…
21x29,7 cm (x2)
Paper, mixed media
This series was inspired from reading amazing legends surrounding mythological trees.
Throughout the history, humankind regarded trees with reverence. Legends and myths about trees had been represented in Christianity, Ancient Egypt, as well as Buddhist, African, Turkish and Celtic cultures. Despite the diverse cultural and theological backgrounds, there are common threads that unite them. Namely, the tree of life, which universally represents a connection to the afterlife, ancestral roots, and divinity.
Among these rich mythologies, my personal fascination lies with Celtic myths. The Celts hold a deep reverence for trees due to their spiritual associations with family, ancestors, and deities. In Celtic culture, the tree of life embodies the concept of the afterlife and serves as a bridge between the earthly realm and the heavens. The Celts' profound bond and affection for trees are reflected in their belief that these majestic beings are not merely plants but rather their own ancestors and guardians of the Celtic Otherworld.
Paper, mixed media
This series was inspired from reading amazing legends surrounding mythological trees.
Throughout the history, humankind regarded trees with reverence. Legends and myths about trees had been represented in Christianity, Ancient Egypt, as well as Buddhist, African, Turkish and Celtic cultures. Despite the diverse cultural and theological backgrounds, there are common threads that unite them. Namely, the tree of life, which universally represents a connection to the afterlife, ancestral roots, and divinity.
Among these rich mythologies, my personal fascination lies with Celtic myths. The Celts hold a deep reverence for trees due to their spiritual associations with family, ancestors, and deities. In Celtic culture, the tree of life embodies the concept of the afterlife and serves as a bridge between the earthly realm and the heavens. The Celts' profound bond and affection for trees are reflected in their belief that these majestic beings are not merely plants but rather their own ancestors and guardians of the Celtic Otherworld.
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42х29,7 сm
Paper, mixed media
Throughout the centuries, flowers have served as a wellspring of inspiration for both artists and poets alike.
To creative individuals, flowers are not just mere objects of affection; they possess emotions, innocence, and a vibrant existence of their own.
I find pleasure in drawing flowers. Each time, I discover the unique beauty of these plants in a fresh perspective. I stand in awe of their embodiment of grace and their remarkable resilience as they push towards the light, displaying unwavering courage in their pursuit of life
Paper, mixed media
Throughout the centuries, flowers have served as a wellspring of inspiration for both artists and poets alike.
To creative individuals, flowers are not just mere objects of affection; they possess emotions, innocence, and a vibrant existence of their own.
I find pleasure in drawing flowers. Each time, I discover the unique beauty of these plants in a fresh perspective. I stand in awe of their embodiment of grace and their remarkable resilience as they push towards the light, displaying unwavering courage in their pursuit of life
42х29,7 сm
Paper, mixed media
Paper, mixed media
42х29,7 сm
Paper, mixed media
Throughout the centuries, flowers have served as a wellspring of inspiration for both artists and poets alike.
To creative individuals, flowers are not just mere objects of affection; they possess emotions, innocence, and a vibrant existence of their own.
I find pleasure in drawing flowers. Each time, I discover the unique beauty of these plants in a fresh perspective. I stand in awe of their embodiment of grace and their remarkable resilience as they push towards the light, displaying unwavering courage in their pursuit of life
Paper, mixed media
Throughout the centuries, flowers have served as a wellspring of inspiration for both artists and poets alike.
To creative individuals, flowers are not just mere objects of affection; they possess emotions, innocence, and a vibrant existence of their own.
I find pleasure in drawing flowers. Each time, I discover the unique beauty of these plants in a fresh perspective. I stand in awe of their embodiment of grace and their remarkable resilience as they push towards the light, displaying unwavering courage in their pursuit of life
42х29,7 сm
Paper, mixed media
Paper, mixed media
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29,7х42 сm
Paper, mixed media
Paper, mixed media
29,7х42 сm
Paper, mixed media
Paper, mixed media
21х29,8 сm
Paper, mixed media
Paper, mixed media
69х110 сm
Paper, mixed media
In my two-week sojourn through Georgia, I bypassed the usual attractions, immersing myself exclusively in the sanctity of monasteries. These ancient edifices, blending seamlessly with nature, stood like rocks emerging from the earth, their history etched in unique architecture.
The synergy of worship, mountainous landscapes, and crisp air left an indelible mark on my soul. This profound experience birthed my painting, “Cross,” where each stroke conveys the universal journey of bearing one’s cross—symbolizing fate, life’s tribulations, and challenges of varied weight.
In this artistic expression, I invite contemplation on the belief that seeking solace in sacred spaces, especially in trying times, invites divine intervention to lighten the load of our personal crosses.
Paper, mixed media
In my two-week sojourn through Georgia, I bypassed the usual attractions, immersing myself exclusively in the sanctity of monasteries. These ancient edifices, blending seamlessly with nature, stood like rocks emerging from the earth, their history etched in unique architecture.
The synergy of worship, mountainous landscapes, and crisp air left an indelible mark on my soul. This profound experience birthed my painting, “Cross,” where each stroke conveys the universal journey of bearing one’s cross—symbolizing fate, life’s tribulations, and challenges of varied weight.
In this artistic expression, I invite contemplation on the belief that seeking solace in sacred spaces, especially in trying times, invites divine intervention to lighten the load of our personal crosses.
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42х59,4 сm
Paper, mixed media
Paper, mixed media
42х59,4 сm (х2)
Paper, mixed media
Paper, mixed media
40х40 сm
Paper, mixed media
Paper, mixed media
59,4 x 42 cm
Paper, mixed media
This is a portrait of a wonderful, creative person - Sana. Beautiful, spiritually rich in all respects. I am very glad that fate brought us together.
Paper, mixed media
This is a portrait of a wonderful, creative person - Sana. Beautiful, spiritually rich in all respects. I am very glad that fate brought us together.